The Hotel
Plaza Sucre manifests that entirely overused descriptive: charming. It's
bright, quiet, clean, and filled with boldly colored paintings and sculpture.
The best rooms are probably 201, 303--pretty much any room that looks over the
interior library area--mainly because latecomers (there are plenty of those due
to the late flights into town) have to ring the loud buzzer to get in. Walls
are a bit thin, but these are really quibbles in an overall pleasant stay. The
location in old town is right in the middle of everything.
The top-floor restaurant where breakfast is served looks out over the rooftops toward the winged Madonna that guards the city. The Madonna, which is visible from most parts of Quito was commissioned in 1976 by a religious order; Spanish artist Agustín de la Herrán Matorras built a 150-foot-tall (45 metres) monument made of seven thousand pieces of aluminum. The Madonna may be the only one in the world with wings: it was inspired by the famous "Virgen de Quito" (Quito's Madonna) also known as "the dancer" sculpted in 1734, which now decorates the main altar at the nearby Church of St. Francis.
| Ceiling detail from Inglesia de San Francisco, another of Quito's many churches |
There are many hawkers wandering the streets--I take these to be country people from their style of dress and method of carrying goods, sometimes wrapped in shawls, or in buckets or plastic bags.
Finding
one's way around requires an infallible sense of direction and sturdy shoes--I
only have one of those two requirements, and spent considerable time walking in
circles.
