On the way to Rouffignac |
The market
was under the church tower and only had a few stalls, which I cruised. Truffles
came in various forms, mainly oil or a type of tapanade--pricey! The tapanade
went for $30 for about 1/2 cup. I bought some truffle oil from a sweet man who
gave me a little bottle of truffle vinegar--a cadeau, he said, a gift. He touched his
heart when I thanked him. I popped in the car and started driving--it became
evident pretty quickly that I wasn't going to have time to hike the
extraordinary group of stairways and caves I had seen just past Les Ezyies
(near Grotte de Grand Roc) and make Rouffignac in time for the last tour at
11:15. I hate not being able to clone myself. Rouffignac was worth the sacrifice; this cave
was completely different from Font-de-gaume in terrain and artwork. Font-de-gaume was more like my mental
picture of a cave, with limestone formations, narrow walls and very tall
“ceilings”--more than 20 meters high in some places. Rouffignac was wide and low--it
looked and smelled like an inverted lakebed—cement-like mud with hard lumps of
reddish material made of silicone that looked for all the world like half-dug
potatoes. The ceiling had several large dome-like structures. Being inside, on
the little train that takes people through this deep cave, was both creepy and
thrilling—I could imagine the roof caving in far too easily. The drawings were
simple lines, drawn with fingers in the mud thousands of years ago, but made
with considerable finesse and individuality, particularly the grand ceiling that
had a zoo’s worth of bison, woolly rhinoceroses, and horses swirling overhead. A frieze of
woolly rhinos marching along wrapped around one wall (their
existence, along with mammoths, ended with the ice age).
Artist's rendition of the woolly rhino frieze |
But I had
to leave for Spain. Since I loved the Dordogne, I opted to take back roads
rather than the expensive and monotonous highway. I passed through numerous
villages made of yellow stone, and the farmland changed to vineyards farther
southwest--this was Bordeaux wine country.
View from a country road near Rouffignac |
Time was
tight, so i eventually opted for the highway, and made it to Bayonne around
sunset. The Ibis hotel I planned to stay in was not an Ibis but a creepy
discount hotel right off the road. Nope. So I continued on, guided by the faithful
Beauty on my GPS which had proved so reliable up to now. I crossed the border
and continued on to San Sebastian in Spain--i don't know what I expected, but
this was a big, grand city—the largest in Basque country, and a major
destination for holidays. I was
swept along with traffic into the town along one side of the bay. My blurry
impression was of an ornate bridge and hundreds of people on the streets,
cruising the pincho (tapas) bars in the old town. It was warm and humid--we were definitely
back in Spain.
Country road, France |
I couldn't go slow enough to really find a hotel, so I guided
myself back to the highway. I was growing more tired with each passing mile,
and finally pulled off the road in the hope of finding a hotel in the dark. What I found was a nameless port town
with no facilities at all. I finally wised up, set the GPS to take me off the
highway and through the small towns, and to indicate hotels (it does that).
Then I did it the old-fashioned way--i pulled into a gas station and asked. I
was directed to a hotel a few blocks away. it turned out to be a lucky choice,
though the lobby wasn't very promising as it reeked of fried fish, an odor that
managed to reach and permeate my fifth floor room. We pause here for a word of
gratitude for room fans and the super-strong bottle of lavender oil I brought
with me! In short order, the room was pleasant.
Autumn leaves, on the way to Basque Country |
This
section of Spain is the land of Zs—nearly every town name and string of words
has the letter in it. My haven for the night was the Hotel Zarauz, (26 Nafarroa kalea, Zarautz (Gipuzkoa), quite a pleasant place for 47 Euros
($68—cheaper if you book online). Euskara, the Basque language, is as difficult
to pronounce from the spelling as Welsh; take this snippet from the welcome page of the Guggenheim
Museum: “Esku artean duzenen aldizkariak 2013-14ko udazken-neguko denboraldian
Musepoan egingo den programzio artisikoaren....”
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